Virginia Cowles, Off-Broadway

Heidi Armbruster and Angela Pierce in ‘Love Goes to Press’. (c) Richard Termine

It is chiefly on account of her accomplishments as a roving war correspondent that we are proud to publish Virginia Cowles’ Looking For Trouble. But then we wouldn’t want to overlook Cowles’ contribution to the corpus of 20th century stage drama. It’s fair to say, though, that not many people were aware of said contribution – all the more reason to celebrate the efforts of the Mint Theatre Company of New York, who are currently presenting Love Goes to Press, a play co-authored by Cowles and Martha Gellhorn in 1946, and derived from their own remarkable life-experiences. The story goes that Gellhorn regarded the piece so lightly that she never kept a copy of the script. Thankfully, someone did. Here are some bits of notices the show’s already received:

“The war correspondent heroines of the 1946 play “Love Goes to Press” have smarts and bravado and glamour. They also have an impeccable pedigree: They’re creations of Martha Gellhorn and Virginia Cowles, journalists who covered the Spanish Civil War and World War II, which gave them intense, firsthand experience of the topic.
Interestingly, “Love Goes to Press,” the latest work to be plucked out of obscurity and dusted off by the invaluable Mint Theater Company, isn’t a heavy treatise on war but an enjoyable romantic comedy, whose real skirmishes are between the sexes. With its rat-a-tat rhythms, this Jerry Ruiz-directed production evokes the screwball comedies of the era, a sort of “His Girl Friday” at the front lines.”
Rachel Saltz, New York Times

“The Mint’s staging is spot-on: an impeccably run-down Italian villa, complete with military maps, Remington field typewriters and sprinklings of plaster dust after nearby shell bursts. Here reporters Annabelle (Heidi Armbruster) and Jane (Angela Pierce) navigate the male-dominated scene as if they are two of the guys, romantically skirmishing with Joe (Rob Breckenridge), a Hemingwayesque hack with whom Annabelle shares a troubled history (indeed, Gellhorn was married to Hemingway) and Philip (Bradford Cover), the beleaguered Brit in charge of the press camp…
The play is a romp through a dark time, a piece of escapism driven by the same impulse as Hollywood’s screwball response to the Depression. Gellhorn acknowledged this right off: “This play bears no resemblance whatever, of any kind at all, to war and war correspondents,” she wrote. “It is a joke. It was intended to make people laugh.” And that’s what it did when it opened in London in 1946. Odd to find such frothy preoccupations so near the front. But if one is able to check one’s sense of reality in at the door, it’s easy to get swept up with the play’s charm.”
Eric Uhlfelder, Financial Times

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Anne Sebba’s ‘Battling For News’

Anne Sebba

The recent success of Finds’ reissue of Virginia Cowles’ Looking for Trouble gives us a chance to spotlight another of Anne Sebba’s titles that we are fortunate to have on our list and which should be read in tandem with Cowles – that book is Battling for News: Women Reporters from the Risorgimento to Tiananmen Square. Originally published in 1994, it offers a terrific history of the gendered division of labour in the business of reporting from frontlines and battlefields – from the age when a female war correspondent was rated no better than an ill-equipped hindrance, to the slow grudging tolerance of women writers as exponents of ‘human interest’ in wartime, to our present day, when female war reporters have proved their fortitude and perspicacity under all kinds of fire. Virginia Cowles is seen by Anne as a mould-breaker in this regard, alongside other such luminaries as Clare Hollingworth and Martha Gellhorn. In a good piece about her time at Reuters available at Anne’s own website, she writes of how Maggie O’Kane of the Guardian told her “that the reporters she worked with in Bosnia were far too busy staying alive to worry about what gender their colleagues were. O’Kane’s brilliant style of war reporting, echoing Martha Gellhorn before her, may focus on children in orphanages, young girls satisfying soldiers as prostitutes or women scavenging for food – stories once demeaningly referred to as ‘soft news’ are now not simply regarded as the norm, but often as the only news that really matters…”
I asked Anne what she thought the passage of time since the book’s original appearance had shown us about how the woman war reporter is now perceived. She answered me thus:
“‘Battling for News’ was published just as the war in former Yugoslavia was changing the way we thought about women reporters – because the nature of warfare itself was changing so dramatically. Today more women than men graduate from media courses, and just as many women as men want to report wars. But there are still certain taboos about where to send a woman, especially if she’s a mother. Is that sensible or mad? Is it to protect the woman reporter or to protect the soldiers she is writing about? This is more relevant than ever in Afghanistan, since one of the key issues around the war is about allowing Afghan women to be treated fairly and, at the very least, given an education. Do women have a greater interest in reporting these issues than men?”
Readers interested in exploring more about this subject are recommended to look at the work of Afghan journalist Farida Nekzad, who offers some unnerving stories about her working days in this online piece (scroll down). Anne Sebba’s Battling for News is available to order from Finds, and comes highly recommended.

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Virginia Cowles: ‘Days of wine and shrapnel’

Virginia Cowles

The TLS also cites as one of the Best of 2010 the Finds reissue of Virginia Cowles’ Looking For Trouble, which has undoubtedly deserved its glowing reviews, capturing as it does the extraordinary experiences of an intrepid and perspicacious war correspondent who witnessed some of the most momentous scenes of what Auden famously characterised as a ‘low dishonest decade.’ It’s Rachel Polonsky who’s picked Cowles for the TLS, noting that she ‘observes the political monstrosities of late 1930s Europe with unforced moral clarity and singular wit.’
Caroline Moorhead’s excellent Spectator review of Looking for Trouble offers a good gauge of Cowles’ range and accomplishment. As Moorhead notes, “When in London, she went to Chartwell to see Churchill. In Nuremberg, she was part of a very small group to have tea with Hitler, Himmler, Göring, Heydrich and Goebbels. She dined with Duff Cooper, during Chamberlain’s ‘peace with honour’ period, who told her that he might not have resigned from the Cabinet had Chamberlain returned from Munich saying ‘peace with terrible, unmitigated, unparalleled dishonour’. Bold, tenacious and tireless, she made the most of her introductions. Air Marshal Italo Balbo took her flying in a two-seater plane over Tripoli. Mussolini gave her an interview the week he launched his attack on Abyssinia…”
The Daily Mail also ran a generous review of our Finds edition, and there is this fine notice too from Janine di Giovanni in the British Journalism Review. John Julius Norwich, who knew and ‘rather fell in love with’ Cowles, offers his own splendid tribute to her on the main Finds site.

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